ll that Melts proposes an urban landscape for 2080 as a means of speculating about how things could be. It is one vision of a future history; not simply the image of a scientific model but a mythological space that is inhabited by the consequences of its recent past, a story of the earth as told by the culture which co-produced it. This visually poetic, multi-media installation engages the past, as it reflects on our troubled present, in an attempt to imagine alternative, more desirable futures.
WESTBANK Projects Corp.
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